Blog for all A2 Media Studies students at Brentford School for Girls in Hounslow, London studying the AQA GCE Media Studies Course.
Monday, 24 November 2008
Cloverfield was a very successful film and grossed £22m with only £15m as its budget. I believe that Cloverfield’s success came from its clever use of viral marketing, which is basically using the internet and word of mouth to its advantage. Viral marketing is also called “User-generated marketing”, which speaks for itself. JJ Abrams produced the film and introduced the teaser trailer, which was like a documentary (post-modernism) and used a lot of enigma codes, onto YouTube and the mass internet. The trailer featured the iconic decapitated head of the statue of liberty and the quote “they gonna want to know how it all went down”, which gets the audience thinking “what happened?” and “what happened to the statue of liberty?”, thus, the word of mouth begins on the blogs, forums and chat rooms. The enigma codes and slow release of information were both constructed to encourage discussion online on blogs, social networks and social gatherings, which was how the real marketing took place and got huge amounts of people interested, hence, the success of the film. The trailers exposition containing the chilling geographical marker which was “area formally knows as central park”, got the audience’s attention and related to them. The Cloverfield characters also had MySpace, Facebook and other networking websites which added to the realism of the film but was still a successful marketing plan.
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2 comments:
wow hamza, thats really interesting!! ¬_¬
Hamza
You have clearly udnerstood the way in which he film was marketed and how well this has woked. You should however, be aware of some factual inacuracies which undermine what you have written. In the teaser, the final line is NOT about 'how it all went down' that line comes in the Trailer. The teaser ends with more of an open question about what is happening for the very reason that they producers at that stage did not want us to know more.
I think to improve on what you have written it would be good to refence other media forms directly. You mention facebook and myspace - how are such sights being used more and more as mean of distribution? Look at the increasing amount of drama being commissioned by the likes of Bebo directly aimed at the social networking audience and bypassing conventional media distribution outlets completely. This is the sea change happening at the moment and one which broadcasters as well as film producers are trying to deal with. FOR ALL OF YOU: research how drama is being commissioned for the net and what this means in terms of SHEP.
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